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From Banksy to Extinction Rebellion, artivism (activism through art) is the art of our era. It permeates everything, from international biennales to newspaper pages. Both inside museums and on the streets, global artivism spreads political messages and raises social issues, capturing attention with shocking protests and weird stunts.
Yet, is this fusion of art and activism all it seems?
Using artist statements, theoretical writings, statistical data, historical analysis, and insider testimony, British art critic Alexander Adams examines the origins, aims, and spread of artivism. He uncovers:
His findings suggest that the perception of artivism – the most influential art practice of the twenty-first century – as a grassroots humanitarian movement could not be more misleading. Adams concludes that artivism erodes the principles underpinning museums, putting their existence at risk.
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