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The critic has long been a reviled figure—at best, the mere handmaiden of the 'creative' arts, and at worst, a parasite upon them. As Brendan Behan famously put it:
"Critics are like eunuchs in a harem. They know how it is done. They have seen it done every day. But they are unable to do it themselves."
In an age dominated by book clubs, celebrity endorsements, and bloggers, one must ask: What role is there now for the professional critic as an arbiter of artistic value?
Rónán McDonald's The Death of the Critic seeks to defend the role of the public critic. In this forceful, accessible, and eloquent book, McDonald argues against the recent claims that all artistic value is simply relative and subjective.
This controversial and timely intervention will resonate with scholars, students, critics, and anyone concerned with the evolving role of criticism in contemporary culture.
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