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More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, this work explores how great European writers, from Homer to Virginia Woolf, depicted reality and has taught generations how to read Western literature.
Auerbach, a German Jew, was forced out of his professorship at the University of Marburg in 1935. He relocated to Turkey, where he taught at the state university in Istanbul. It was during this time, amidst displacement, that he wrote Mimesis, publishing it in German after the end of the war. Despite his circumstances, Auerbach produced a work of great erudition without footnotes, basing his arguments on searching and illuminating readings of key passages from primary texts.
Auerbach's aim was to demonstrate how, from antiquity to the twentieth century, literature progressed toward increasingly naturalistic and democratic forms of representation. This essentially optimistic perspective on European history serves as a defensive and impassioned response to the inhumanity of the Third Reich.
Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any form of nationalism or chauvinism, both in his time and ours.
For many readers, both inside and outside academia, Mimesis is regarded as one of the finest works of literary criticism ever written. This Princeton Classics edition, with its introduction by Edward Said and Auerbach's essay addressing his critics, ensures the legacy of this timeless masterpiece endures.
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